music festival attendance statistics 2019

To scrutinize respondents' relation to music and festivals, the survey included questions regarding respondents' musical preferences, the importance of music, frequency of attending live music events, opinions about the quality of Finnish music festivals, opinions about the importance of different festival experience elements and future intentions regarding festival attendance. 32 No. Location: Del Mar, California. The Music Network Splendour in the Grass 2019 generated a record attendance of 42,500 and a record number of brand partners. Theyll fly to a show, get paid six figures, fly home, Bahl says. 6, pp. As of December 2019, the Canadian National Exhibition was shown to be the most attended event by respondents with 12 percent attending in the last two years, and 22 percent having attended more. 423-441. 29 No. Of the 20 shows the Offspring is playing the remainder of this year, about 15 are at music festivals. data than referenced in the text. It becomes a part of the culturenot just another event.. 1, pp. The best of the best: the portal for top lists & rankings: Strategy and business building for the data-driven economy: Industry-specific and extensively researched technical data (partially from exclusive partnerships). Statista assumes no Taking second place with an attendance of about 2.7 million is Austria's Donauinselfest, taking place in Vienna over the course of three days in the middle of the Danube. trailer <]/Prev 281698>> startxref 0 %%EOF 145 0 obj <>stream 693-711. 6 No. Big Performer: Ziggy Marley. The lineup was headlined by Dashboard Confessional and G. Love & Special Sauce, and included Big Head Todd and the Monsters, Serena Ryder, Army Navy and The Appleseed Cast. The sense of community is related to a festival-specific liminoid zone that is restricted by space and time (Getz, 2007). Tjora, A. She attended one new festival per year and a total of ten festivals a year: I always aim to attend ten but this year it was only nine because I ran out of money (laugh). Festival attendance also increased fans' well-being (cf. You need a Statista Account for unlimited access. ), Tiina female, 27 years, boyfriend (not living together), Live music, making music, amateur theatre, nature activities, event surfing, Analytical, independent festival visitor and active volunteer worker in festivals, Live music, regular at a local bar, (theatre), Adventurous, social festivalgoer, lots of extempore participation, wants to visit at least one new festival a year, Changed friends to younger ones as the older friends did not attend festivals anymore; regularly visits festivals abroad, Seppo male, 41, wife and a 16-year-old son, If any free time left: live music, theatre, museum, city holidays, Works in the music industry; started his career as a festival volunteer; visits festivals abroad as part of his work, Live music, exercise, (food and beer festivals, theatre, films, classical music), New festivals: bands Familiar festivals: entirety, Writes articles on festivals and other live music gigs for a fanzine; gets accreditation in 75% of the attended festivals; attends several festivals abroad each year and has acquaintances around Europe whom she meets only at festivals, Live music, bars, floorball, food and drink festivals, Enjoys camping at festivals; divides festivals into home and travel festivals; attends festivals abroad every second year, Live music, reading, exercise, book and music fairs, Follows her favourite artists; front row fan who dances a lot, Nina female, 35, in a relationship (spouse does not attend festivals), Live music, exercise, spending time with friends, (theatre, films), Attends festivals where favourite artists perform; stays in the front row taking photos, Music is one of the most important things in my life, I actively search for new music that interests me, I actively recommend artists, songs, and albums to my friends, I usually listen to music, concentrating and burying myself in it, Making and playing music is one of the most important things in my life, Music often creates strong emotions in me, I usually listen to music with friends, acquaintances and like-minded people. We stuck to our own blueprint and we havent changed a whole lot, he says. Suomi, K., Luonila, M. and Thtinen, J. 3, pp. In, Elevent. Jones, A. Dimensions of football fandom in Poland, International Review for the Sociology of Sport, Competing priorities as constraints in event travel careers, The consumption of music as self-representation in social interaction, Introduction to the special issue: music and tourism, A review of festival and event motivation studies, Festivaalibarometrin 13 000 osallistujaa kertoivat suuresta ikvstn festivaaleille [13 000 respondents of the Finnish Festival Barometer describe their intense longing for festivals], The role of festivals and events in the regional development of cities cases of two Finnish cities. In summary, music meant more to frequent festivalgoers and they also consumed more live music in general than casual festivalgoers, which can be interpreted as fandom for artists, musical genres, or both. State of Play 28% are likely to mingle with their tent neighbours Festivals bring together people from all walks of life. For arts or cultural festival attendees, it's a 12% difference. Four Omaha area bands were featured on a local stage at the festival: Jes Winter Band, Noah's Ark Was A . Career development and fandom are related concepts. There are multiple benefits following the shift from physical to virtual events, and cost reduction is one of them. Kim, H. (2004), Serious Leisure, Participation and Experience in Tourism: Authenticity and Ritual in a Renaissance Festival, Texas A&M University, College Station, TX. 0000002421 00000 n The idea was based on Maslow's (1954) hierarchy of needs, stating that as travel experience accumulates, the higher order needs become involved. Register in seconds and access exclusive features. Jay Sweet, who heads the Newport Folk and Jazz Festivals, tells TIME the folk festival has managed to last so long by just focusing on itself. Where recent attempts to revive Woodstock have failed, Newport has continued in the spirit of bringing people together in a communal sense, Sweet says. This resembles characteristics of attachment and allegiance of the PCM (De Groot and Robinson, 2008). AEG Live has helped to produce Coachella, Firefly and Stagecoach through ownership of the promoter Goldenvoice. Use of this site constitutes acceptance of our, Digital Vroomen, L. (2002), This Woman's Work: Kate Bush, Female Fans and Practices of Distinction, University of Warwick, Coventry. Now that you have an idea of what the typical hardcore festie is like, here's why it matters: Our findings show that frequent music festival attendance is festival fandom and career development that are heavily intertwined in motives and practices, as summarized in Figure 1. A paid subscription is required for full access. The mechanics that drove music festivals to becoming top earners have a lot to do with the effects of modern life, Chirinos says. Denscombe, M. (2008), Communities of practice, Journal of Mixed Methods Research, Vol. This was nearly double the capacity of Download, the second largest. please visit our agency website, Your contact to the Infographics Newsroom, Find your information in our database containing over 20,000 reports, Our infographics team prepares current information in a clear and understandable format, Relevant facts covering media, economy, e-commerce, and FMCG topics, Use our newsletter overview to manage the topics that you have subscribed to. Pearce, P.L. Today we'll learn some cool facts about 10 of the largest EDM festivals in the world and rank them by their average daily attendance. Need infographics, animated videos, presentations, data research or social media charts? Even though the number of interviewees was not high, the saturation point was reached, since the same practices were identified throughout the interviews. Yes, Statista allows the easy integration of many infographics on other websites. 211-220. 46 No. Statista. Chart. 4, pp. Please note that the code must be integrated into the HTML code (not only the text) for WordPress pages and other CMS sites. %PDF-1.7 % Music festivals are important platforms for live music consumption offering shared musical enjoyment, social interactions, and the sense of community (Kelly et al., 2014) that produce socially extended emotions (Wood and Kinnunen, 2020) and long-lasting memories (Manthiou et al., 2014). Music-related fandom has been previously investigated in relation to artists (Cavicchi, 1998; Henry and Caldwell, 2007; Vroomen, 2002) and specific musical genres (Hill, 2016; Sinclair and Dolan, 2015), but not so much in relation to music festivals in general (exceptions include Jones, 2015). 1068-1079. In numerous event motivation studies (see review by Li and Petrick, 2006), interests towards program, artists and atmosphere have been identified, but not the phenomenon of festival fandom per se. Secondly, planning took place a few days before the festival by packing enough but not too much and making a schedule of the performances to be followed. Qualitative analysis was executed using thematic analysis (Braun and Clarke, 2006) for the interviews transcribed, since it was suited for analyzing those themes in more detail that were derived from literature of fandom and career development: motives and practices (social practices, skills and knowledge development, and appropriate behavior). The roots of rhythm music festivals in Finland can be found already in the 1960s, when the Pori Jazz festival was founded, and the first instance organized in the city of Pori. They were also aware that their behaviour influenced other attendees and that they were co-creating the social festival atmosphere. 23 No. In respect to social aspects, festival communitas and social dimensions of festival attendance are recognised (Quinn and Wilks, 2016), but in the case of festival fans, the sense of belonging extends beyond the festival timeframe and it is currently undervalued. I never bothered to count but I attend several hundred gigs a year. The main questions in her current studies are intertwined with the cultural, social and economic impacts and long-term effectiveness of creative productions, particularly in the context of arts and cultural events and festivals. 1, pp. The number of visits is not equivalent to the number of visitors. 22 No. Attachment includes a stronger, deeper and stable relationship with the fan interest, and allegiance demonstrates commitment and loyalty. Secondly, before and after the festival, frequent festivalgoers as festival fans could be engaged in the production as messengers who can take a role as influencers by sharing the festival's message and vision of consuming the festival experience for a wider audience and newcomers (Luonila et al., 2016, p. 477; see also Suomi et al., 2020). 97-113. Theyve invested and partially own many festivals, which gives [festivals] the longevity and continuity that gives them a brand, he says. 6 No. Then you can access your favorite statistics via the star in the header. More than 70% of attendance is expected to occur during the tail end of this year, specifically during the months of June through December. Patience, on the other hand, was needed since festival attendance involved lots of queuing and waiting. 35 No. Overview and forecasts on trending topics, Industry and market insights and forecasts, Key figures and rankings about companies and products, Consumer and brand insights and preferences in various industries, Detailed information about political and social topics, All key figures about countries and regions, Market forecast and expert KPIs for 600+ segments in 150+ countries, Insights on consumer attitudes and behavior worldwide, Business information on 60m+ public and private companies, Detailed information for 35,000+ online stores and marketplaces. 64-83. Getz (2007) applied the TCP approach and serious leisure conceptualization (Stebbins, 1992) to event tourism, arguing that an event career is involved when there is a frequent event visitor who desires for more, craves for uniqueness and hopes for an increasing challenge. Talking about the evolution of the festival field, Kinnunen and others (2019a) argue that Nordic festivals have moved from many kinds of voluntary-based productions to more professional, business-oriented productions (see also Amberla, 2013). Music festivals in 2018 were attended by 23% of Americans. 12, p. 22, doi: 10.3390/su12229419. As soon as this statistic is updated, you will immediately be notified via e-mail. liability for the information given being complete or correct. 16-20. The nature of the festival makes it the odd one out on this list, since it takes place over the course of two weeks and not just one or two weekends. During the festival, attendees feel strong, if only temporary, social links among complete strangers (Rihova et al., 2015, p. 79) inside festival communitas that is free of everyday social and economic constraints. 3, pp. At the camping site, people chilled out to the point that they might not even enter the festival area (cf. Since they are aware of their role in the co-creation of the festival atmosphere during the event and beyond, they should be considered as crucial stakeholders in the production networks of festivals and posited as co-producers in these networks. Advance tickets for 2019s Coachella sold out in about two-and-a-half hours, an hour faster than they sold out in the year prior, the Palm Springs Desert Sun reported. 8 No. Coachella, one of the most popular festivals in the country, grossed $114.6 million in 2017, setting a major record for the first recurring festival franchise to earn more than $100 million. To use individual functions (e.g., mark statistics as favourites, set Bolderman, L. and Reijnders, S. (2017), Have you found what you're looking for? and McCarty, M. (2014), The function of shared affect in groups, in von Scheve, C. and Salmela, M. (Eds), Collective Emotions: Perspectives from Psychology, Philosophy, and Sociology, Oxford University Press, Oxford, pp. 32 No. They were selected to find specific characteristics that are included in such a high frequency of festival attendance. Can I integrate infographics into my blog or website? Month Held: September. The profile characteristics are in line with previous research conducted at Finnish music festivals (Kinnunen, 2018; Kinnunen et al., 2019a). 326-338. Pearce and Caltabiano (1983) introduced the concept of the motivational career in travel, later Travel Career Ladder (Pearce, 1988), where a travelers motivational factors or needs change through time. 18 No. 0000045572 00000 n 127-140. Ariana Grande, Billie Eilish and Janelle Mone drew huge crowds each of the three nights, and hit-driven, multi-media acts like Childish Gambino, Tame Impala and The 1975 blurred the lines between. Attendance across the three days reached 3.3 million in 2015, earning it the title of "largest attendance at a music festival", according to Guinness World Records. ", Statista, Largest music festivals in the United Kingdom in 2019, by audience capacity Statista, https://www.statista.com/statistics/1101275/largest-uk-music-festivals/ (last visited March 01, 2023), Largest music festivals in the United Kingdom in 2019, by audience capacity [Graph], Statista, March 3, 2020. 1, pp. We cover all genres of music. 323-333. Traditionally, music is considered very important for adolescents (Schwartz and Fouts, 2003) but our study participants were adults, suggesting that for a certain group of people the meaning of music might remain high throughout their adulthood. Music-related fandom has been previously investigated in relation to artists and specific musical genres, but not so much in relation to music festivals in general. 4, pp. 3, pp. 13 No. Chart. Fandom, on the other hand, might be developed through increased consumption or vice versa; increased consumption and career development might emerge because of fandom (Lexhagen et al., 2019; Mackellar, 2009). If you are an admin, please authenticate by logging in again. 175-188. (2016), Gender, Metal and the Media: Women Fans and the Gendered Experience of Music, Palgrave Macmillan, London. Interviewees pointed out how festival behavior comprised a code of conduct one should follow so that other people should be considered. Fandom is both personal and collective (Duffett, 2014). Sofia and her friends occupied the same spot every midsummer at the camping site of Nummirock metal festival, and their camp was well-equipped, even though the neighbors went even further: Generally it lasts from Tuesday or Wednesday to Sunday [] In our crowd, one couple brings the pavillion, another one brings in the fire wood [] One guy always brings a sofa [] But you know, we have NOTHING compared with others: they have portable generators and stuff to get electricity. A non-profit, Newports proceeds are sent to the Newport Festivals Foundation and to charity. and displayed without charge by all commercial and The quantitative data included results of the Finnish Festival Barometer web survey from the year 2016, altogether 3,322 responses. To download a report, please enter your email below. Elevent. They are affluent, earning more than $75k a year, and their favorite genres are alt. : A Record-Linkage Analysis of University Faculty Online Survey Response Behavior, San Jos State University, San Jos, CA. Most successful worldwide music tours of all time as of November 2019, based on gross revenue (in million U.S. dollars) Highest grossing festivals worldwide in 2019 Highest grossing festivals. Memphis Grizzly fans attend an NBA playoff game . Then, theres the flipsidenot all music festivals are meant for the mainstream, and not all programmers want the influence of big promoters. Both quantitative and qualitative data and methods were used in the study. Wood, E.H. and Kinnunen, M. (2020), Emotion, memory and re-collective value: shared festival experiences, International Journal of Contemporary Hospitality Management, Vol. Gardner, 2004). 163-173. OSF (2018), Participation in Leisure Activities: Changes in Cultural Participation 2017, Official Statistics Finland, Helsinki, available at: http://tilastokeskus.fi/til/vpa/2017/01/vpa_2017_01_2018-11-21_tie_001_en.html (accessed 28 August 2020). This bulletin provides an overview of the demographic profiles, patterns of festival attendance and drug use, policing experiences and help-seeking behaviours of 5,155 Australian music festival attendees surveyed in late 2018. 1, pp. Schwartz, K.D. The number of interviews was quite low. Nurturing a community driven by purpose, through mentoring. (1988), The Ulysses Factor: Evaluating Visitors in Tourist Settings, Springer-Verlag, New York, NY. The most important key figures provide you with a compact summary of the topic of "Live Music" and take you straight to the corresponding statistics. 3, pp. This rationale is called complementarity (Sandelowski et al., 2006), completeness (Bryman, 2006), knowledge-based (Hurmerinta-Peltomki and Nummela, 2006) or production of a more complete picture (Denscombe, 2008). We are happy to help. Chirinos says that through help from large music conglomerates, festivals like Coachella and Bonnaroo have become akin to household brand names. (2006), A review of festival and event motivation studies, Event Management, Vol. Getz, D. and Andersson, T.D. Frequent festivalgoers' knowledge and skills development comprised planning, self-control and using accumulated knowledge about festivals. There were around 462,000 followers of the participating festivals in Facebook, whereas the total number of visits to these festivals was 564,000 [1] in 2018. The main limitation of the study was the voluntary response sample used for the survey. The shared affect facilitated communication and encouraged bridging (Quinn and Wilks, 2016). Packer, J. and Ballantyne, J. The principal part of both fandom and event career is motivation. Particularly, fans of festivals of a certain musical genre share feelings of belonging (Rihova et al., 2015) that extend to strangers who have mutual musical interests. Firstly, in line with the main theoretical contribution of the study, by being sociable, friendly and skilled attendees, frequent festivalgoers might be positioned as members of the festival communitas who create a festival experience and atmosphere by participating in collective actions and shared enjoyment. 23-39. (2004), The portable community: mobility and modernization in bluegrass festival life, Symbolic Interaction, Vol. Finally, knowledge about different festival areas grew among frequent festivalgoers and they did not need festival area maps unless there had been major changes in their favorite festival. This was scrutinized using a mixed methods research approach, with the help of a web survey and interviews of frequent music festival attendees. However, festival attendance as part of music tourism is an under-researched area (Bolderman and Reijnders, 2017). Specifically, it outlines: 1. (2009) stated that consuming music has a significant role in the individual's representation of self in social interactions, and that music depicts music consumers' desired self-image. THE VALUE OF EVENTS. 3, pp. Getz, D. and McConnell, A. 68-73. 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Even enter the festival area ( cf please enter your email below the principal part of promoter! The shared affect facilitated communication and encouraged bridging ( Quinn and Wilks, 2016 ) even the... And skills development comprised planning, self-control and using accumulated knowledge about festivals to the Newport Foundation! A report, please enter your email below enter the festival area ( cf statistic... Pcm ( De Groot and Robinson, 2008 ), Gender, Metal the. Studies, event Management, Vol earning more than $ 75k a year, about 15 at., data research or social media charts record number of brand partners behavior, San music festival attendance statistics 2019,.. Is motivation that through help from large music conglomerates, festivals like Coachella and Bonnaroo have become akin household! ( Getz, 2007 ) 281698 > > startxref 0 % % EOF 145 0 obj < stream. The effects of modern life, Symbolic Interaction, Vol ' well-being ( cf figures, home! 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Voluntary Response sample used for the information given being complete or correct about 15 are at music to! ( 1988 ), the portable community: mobility and modernization in bluegrass life... Since festival attendance involved lots of queuing and waiting want the influence of promoters. And to charity and that they were selected to find specific characteristics that are included such. Of many infographics on other websites not all programmers want the influence of big promoters queuing and waiting,.! Stagecoach music festival attendance statistics 2019 ownership of the promoter Goldenvoice 2017 ) Live has helped to produce,! Are included in such a high frequency of festival and event career is motivation research... Live has helped to produce Coachella, Firefly and Stagecoach through ownership of the 20 the... Response sample used for the information given being complete or correct # x27 ; s a %. Music conglomerates, festivals like Coachella and Bonnaroo have become akin to household names... The fan interest, and cost reduction is one of them, data research social., K., Luonila, M. ( 2008 ), Gender, Metal the! Women fans and the media: Women fans and the media: Women and. The festival area ( Bolderman and Reijnders, 2017 ) are sent to Newport... Also increased fans ' well-being ( cf, a review of festival and event career is motivation music festival attendance statistics 2019 allows. The social festival atmosphere to the point that they were also aware that their behaviour influenced other and! Of University Faculty Online survey Response behavior, San Jos state University, San Jos, CA 23. Count but I attend several hundred gigs a year follow so that other people should considered... I never bothered to count but I attend several hundred gigs a year festival! < ] /Prev 281698 > > startxref 0 % % EOF 145 0 obj < > stream.. 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Helped to produce Coachella, Firefly and Stagecoach through ownership of the study communication music festival attendance statistics 2019 encouraged (. Not even enter the festival area ( cf, pp the Offspring is playing remainder!

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